"Arthur: A Retelling" by Isabel Azeredo

Congratulations on the release. Tbh, not really bad but sadly the story is not my cup of tea. Keep up the good work good luck with your next work :relaxed:

Hey, all. I’ve completed my review for Arthur: A Retelling". Thanks for reading!

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Saw the thread bumped, which reminded me of the report I sent about the typos/errors. Got a reply saying it would be forwarded to the author, but no version update as of right now. So I’ll just post the email here in case the author didn’t receive it.

Summary

(ver 30254)

Typos

“Fear not, sir,” you reply with no small measure of confidence, “You can trust me to supervise the development of my discipline in future with great strictness.”

As your surroundings contine you to clear, you begin to recognize the man who stands before you as none other than…

After some exemplary romping and more than a few pratfalls through the undergrowth, you know it’s time to for you to part ways–

Still, it’s charming in its own way; the enclosing canopy seals the forest in near-darkness, and the trees entertwine inseparably, lending the forest a somewhat magical and mysterious air-- one half-expects to hear faery-song at any moment.

That’s understandable-- her exceptional beauty doesn’t mean that you have like her that way.

Finally, she takes note of your sorry state, which is understably puzzling.

There’s rumors a famous lady might be coming to see it! Sir Quinn will be participating, so I was hoping I’d might catch a glimpse of her…"

Well, not every time, but you’ve go to admit it was fun to watch people fall flat on their faces now and then.

​ Doubts flickers in your eyes, but you know what the right path is-- you could never forget.

​ And yet, you do feel something in your heart,like a binding vine entertwined…

(there are six occurrences of this line)

"Hi, Arthur.

(missing quotation mark at the end)

“Welcome back, ,” you hear her whisper into your ear. You shiver yourself a little bit.

This is supposed to be ${sibling}, but the variable remains blank in the entire game. This is because in Startup.txt, the variable is not modified in any of the gender choices.

Gender errors

Some of them may be intended. Some of the errors exist because there are no variables to be gender-swapped, such as lord and son.

For context:

Male:

Well, of course you’re a guy, you’re called Arthur, for gosh’s sakes! That wouldn’t be a very good name for a girl, not to mention the implausibility of a girl serving as a squire in these prejudiced times! Sheesh, that’s some silly question, all right.

Female:

Yes, that’s the truth, isn’t it? Born female, but dressed and treated as a boy your whole life. Why? You’ve never really questioned it, but it might have something to do with the fact that your excessive attitude would likely doom you in the necessary pursuit of a husband. Yes, whoever gave birth to you probably thought your issue might even prove advantageous in the world of men! Of course, she was dead wrong, but it was a nice thought on her part, you suppose.

In any case, you have a boy’s name, a boy’s clothes, and just about everyone except Sir Ector seems to be under the impression that you are indeed a boy.

It should probably be fairly obvious to Kay at this point, but then again, he’s never really been the brightest bulb in the box.

Nonbinary:

Your gender naturally reflects your mysterious appeal, and is thus too indeterminate for any of your medieval peers to truly comprehend-- you’re pretty sure that they gave up trying quite a while ago (after all, it’s been some time since you last spotted Kay’s fellow apprentice-knight friends squinting at you from afar and trying to puzzle out whether you appeared more of a boy or a girl. “Neither” was apparently too confusing an answer for them.).

(Chapter2)

“If yer want a fish, sonny, I’ll be needin’ some coin in return!”

[…]

“One of… these fish for the young lad,” the woman demands,

“Why don’t you gawk at somethin’ else, sonny? My wares are strictly for payin’ customers, they are!”

[…]

“One of these… fruit for the young lad,” the woman demands,

“Sonny, I wouldn’t be lookin’ at mah bread so closely if I were yeh, unless yeh have some coin in yehr pocket!”

[…]

“One of these loaves for the young lad,” the woman demands, and the next thing you know, the baker is handing you one!

Finally, she takes note of your sorry state.

“Come now, sir, this is no time to rest-- we must celebrate my freedom!”

…is she just dense or what?

[…]

“Oh, but I forget myself; for one so handsome as yourself, sir, I must introduce myself: I am the Lady Guinevere, come to this idyllic hamlet with my wealthy father to witness a great jousting tournament for the history books!”

(Chapter3)

“Well, if it isn’t Arthur himself.”

(said by Rience)

Apples.

Ripe, red apples, sitting on the branches of a hundred-- no, more-- apple trees, reaching the sky and filling the earth. A fresh land, a drowsy place.

Softly comes in the dark figure: a dark-haired woman, very pale, very solemn. Her dark eyes scan the water as her small boat reaches the shore. She is carrying something.

As you look closer, you see her walk and walk, moving in strange time, until finally stopping at the top of a great hill. Looking out over the horizon, she sets down a man–is he– no; merely sleeping.

But the glint in her eyes tells he will awaken…

This is most likely a reference to the classic scene where Morgan takes the dying Arthur to Avalon (mention of apples).

(Chapter4)

“Oh, it’s not so complex. Just some slipshod alterations to reality, courtesy of the squire that would be king. Or something like that. It’s all pretty much falling apart, though, which isn’t actually my fault.”

(two instances of this line)

“Rise, son of Uther.”

“My name is Nimue, but that is not important. What is important is who you are, son of Uther.”

“Rise, my son!”

“My lord?”

The high, vaulted ceiling rises high above your head, suspended by a series of impressive pillars surrounding you. It’s quite a sight to see…

“Ahem.”

Surprised, you look down again to find the voice, and find a man in formal clothes looking back at you.

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Fair warning, this author doesn’t visit the forum much.

In my experience, it’s best not to get too personally invested in errors you’ve reported. If they said they would forward your email, they almost certainly did - in my experience they’re quite conscientious about that. Some authors appreciate any feedback, even years after release, and will update the game as soon as reasonably possible. Sometimes they’ll take their time about it and you’ll see your feedback implemented months later. Sometimes when they’re done they’re done, and they aren’t going to touch it again. Believe me, I understand the frustration - I’m a perfectionist with a handful of semi-legitimate proofreading credits, and a few times I’ve taken the time to send in a thoughtful report and nothing ever came of it, which doesn’t feel great. But ultimately, this isn’t our territory and we can’t force it through. It’s best to send it in and let it go.

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I know, I’m sure it did get forwarded. I didn’t say I had doubts about that. It’s just that in my experience, sometimes emails get lost because they’re marked falsely as spam or accidentally deleted, so I put it here in case that was what happened. For me it’s not about forcing anything or being personally invested, it’s more of a “just in case” thing. The author can do anything with the feedback.

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