Hey @Camille622, this is a great start so far! 
Wonderful job - you have a very engaging style of writing with strong verb choice and imagery! (You also use the *page_breaks very effectively! It’s very immersive.)
I would just like to clarify, because you seem a bit unsure, that this story counts as “high fantasy” because it’s set in a secondary world of your own creation. “Low fantasy” is set in the “real world” with magical elements, like Harry Potter or Twilight. “High fantasy is defined as fantasy set in an alternative, fictional (“secondary”) world, rather than “the real”, or “primary” world. The secondary world is usually internally consistent, but its rules differ from those of the primary world. By contrast, low fantasy is characterized by being set in the primary, or “real” world, or a rational and familiar fictional world, with the inclusion of magical elements.” Source 1, 2 for anyone wondering!
If it’s okay, I’d just like to point out some small typos I noticed in the beginning:
Summary
Each breath in is a struggle, and each breath out is blown back into you face
It grips you just firmly enough to hint at it’s great strength.
you begin (,) barely hiding the tremor in your voice,
What is it that you want? Maybe I can help-" “You. It’s you we want, and it’s you we’ve got. This is the plan. There is nothing you can do to help it. There is nothing you can do to stop it.” The finality of his tone leave you silent. on your knees in the dark. (No paragraph break between dialogue lines, “on your knees in the dark” is an uncapitalized fragment)
The edge rests against your breastbone for and endless moment.
A few quick strokes that remind you )(,) unpleasantly of an animal being skinned, (delete the comma)
"Wait (.") you call before you can stop yourself. (dialogue like this ends in a comma)
One of the page_breaks shows up as “page_break” instead of directing us to a new page - I accidentally clicked next before I could record it
I couldn’t continue after this, but most of the typos I noticed from thereafter does involve punctuation, as you noted: just remember that when dialogue ends with a tag like “he says” or “I say”, it needs a comma, not a period. “I won’t do it,” I say to him vs “I won’t do it.” I say to him
I also haven’t been able to access the stats (not sure if you’ve made them yet) and while the opening was definitely intriguing, the reader’s sense of disorientation does make it hard to feel the fear or emotion the protagonist is supposed to be feeling. The part where the warlock comes into the dungeon feels a little exposition-y, as well: maybe dole out more of that information before he shows up? Other than that, nice work!
