False Ancestry (WIP) [100K Words | Prologue Act 2] (Going back on Haitus šŸ’”)

Minor Update?

I may or may not have just realized, I goofied a bit with the bond system. I just realized that most of the more established ROs like Irwin/Irene, Skye, and John should be stagnant/bond locked until you either A. Shake up the relationship, or hurt them deeply.

Ashford, Rachael, and Charlotte will be a little more reactive, but it shouldn’t increase by much outside of the flashback when you meet them.

The rest of the ROs, will be meeting you for the first time or don’t have a really good view/relationship with you, so they will increase like normal.

Is this a change that you like or do you rather the old system of getting bond points whenever you do something that the ROs like.

  • I prefer the new system
  • I prefer the old system
  • Write the Ashford POV.
0 voters
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Any chance of making the code visible? Might help people spot typoes and stuff easier

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I am unsure, but I lean against it. Personally, I don’t want things to be spoiled immediately by the variable names. I have the code available for beta testers, but typos still slip through sometimes.

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Fair enough, spoilers can be pretty annoying

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Hi. Played this all the way to the end, and while it is a very interesting concept which I’d like to stay around for more, there are personal critiques of mine. Some of these could be read as harsh, for which I apologise. I do not mean to come off as standoffish or too picky. This is your work, and what you decide to do with it is rightfully your choice. That being said, here they are:

First critique, my main critique, is that there’s a gay option in this story, which is lovely to see and can definitely open pathways with the MC and boost player experience while it is confined to the right people based on their choice. The problem? This just never happens. I was quite excited about there being a gay option and how that would play out, but it just didn’t. Josh is one of two current male characters that are romanceable for gay MCs and is the only romanceable male character with some significance in relation to time mentioned. He’s also very fem-leaning and ā€˜dualsex’, which I guess means intersex, both of which I’m personally not attracted to. The MC is surrounded by so many women and sometimes implies that they are attracted to them; even the options to romance the opposite gender (despite sexuality) seem to be prevalent. There’s never any mention of sexuality that differs from hetero from what I’ve gathered, which is a shame, as I’d love some recognition for a choice, be it bad, neutral or good, just like how I’m guessing you’re going to bring in recognition to the MC’s race. They (and by that I mean the women) are a MAJOR chunk of a story that seems to be leaning hard on dialogue. Which makes the whole choice feel empty or unexpanded upon.

Second critique: the amount of dialogue. This could just be a personal preference, but the amount of dialogue, especially with characters I had no interest in, was the reason I’d contemplated just commenting on chapter 1 and the halfway point of chapter 2. Don’t get me wrong, dialogue-leaning stories can be done beautifully, but most of it reads to me like ā€˜white room syndrome’; there’s so little narrative/prose or any focus on what I’d figured to be the main story’s plot. While simultaneously having too many scenes that seem redundant in the face of the plot, also known as fillers. Cheknov’s Gun could be a good principle to read up on for this. Combined with English sometimes being choppy or grammatically incorrect, it’s a hard read.

Third critique: Choices. There are very few options when it comes to them. Be it for personality or pathways, they don’t seem to matter much. Most seem to be the same outcome but written differently; you don’t ever get to choose to be genuinely rude or isolate yourself from the many, many friends that seem to be bigger and have more screen time than the plot itself. The MC seems to be pre-planned down to the bone. That could be great for a regular story, but this is an interactive fiction one. It’s hard for me to put my own little ā€˜persona’—if you will—in the place of an MC who won’t even delight in the thought of arrogance or a little brutishness because ā€˜their parent’s raised them right’.

This has probably turned more into a rant, for which I’m sorry, but I hope this could help with the next incoming chapters, which I’ll be around for. I’m fairly sure you’d mentioned being a novice at writing, in which these possible ā€˜mistakes’ are simply a learning curve for your writing craft, so don’t worry and keep making your art. Massive props to you for even making an IF, as it’s very challenging, let alone one with a fairly unique premise, which I’m sure will all work out in the end.

Hope all is well and love from me <3

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I saw the poll and realised the final male RO is probably going to be a femboy. This could just not be for me, and that’s okay :slight_smile:

P.S., I hope everything’s alright now and you’re getting the rest and care you deserve <3

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First of all thank you for reading, and I enjoy reading critiques as it allows me to see where I can improve and where I need to work on. Secondly, sorry for the late reply but life has been chaotic and I try to stop myself from oversharing.

I guess we will start with the first critique by saying, you are completely right, the sexuality choices for the most part are unexpanded upon. Because they were added during the last ā€˜major’ update as a hotfix, meaning I retroactively added it. But I have a serious problem with rewriting my story, to keep things flowing. I decided to have the main sexuality stuff take place during act 3 and onwards. I will eventually rewrite the first two acts to include better flow with everything.

This second critique has some weight to it, but also a misunderstanding at its core. I haven’t started writing chapter 1 or 2 yet, the story is still in its prologue/infancy. The whole point of the dialogue and the characters is to set a baseline for the story to function off. Since a big part of it is the dysfunction that the supernatural creates in the main character’s life. I do have some Cheknov’s guns in place, or plan to add them, as the principle implies will have a payoff down the line. For the English, I am just bad at it :broken_heart::face_holding_back_tears:. But I improve the more I write, so we will see how that goes.

This critique is also something I been struggling with, this is my first project in general, and so I have to balance it with what I want to do, what I think the players want, and what I can actually do. For example, the cafeteria scene, it was supposed to be a lot more reactive and flow differently based on the player’s actions. But due to my undiagnosed depression at the time, and general proficiency at coding. I did what I could. This may seem like a cop out, but I do plan to improve on this aspect and actually include the personality stats more, have divergent events and choices.

It actually helps a lot, feedback is key after all. All is better now, I started writing poems, and thanks for the love. I will try to get the update out in two months or so, unless something major happens.

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They will be 3 male Ros, one straight, two bi, one of which will be the traditional top.

Ashford, Sigismund and Dante.

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You’re very welcome! Also, that definitely brings my taste back after I thought it was over for me; I’d love to see a ā€˜masc’ male romance that’s available for gay MCs.

As with all crafts, don’t worry; you’ll have a solid grip on writing’s quirks and principles in no time with how much you’re writing.

Whoops, a mistake on my part. Sorry for that. It was so abundant and ā€˜long’ in how many words it took that I figured they were chapters. But it’s still a prologue, so no real harm and no real foul, but be careful, as the start of a story can very much determine the desire and interest of the reader. I also love to hear the work you’ve done in getting to grips with writing; it’s beautiful to see.

Once more, love from me and best wishes! <3

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Now that you are here, you probably don’t have a favourite RO, but how are the povs so far? they are a byproduct of an issue. But I haven’t heard much comments on them.

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I personally don’t dabble in POVs often; I like the mystery. It’s always so fun—especially with the romance aspects of stories. After all, an unexpected line is bound to leave a mark if done right. But I could get back to the points and tell you my thoughts if you’d like? I’ve plenty of time to do so, and I’d love to give feedback. I might take a day or so to get back to you, though.

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It’s fine, you don’t have to read them for my sake. This is a mystery story secondly, despite being a romance. I just don’t want to spoil too much with them, or have them be absolute nothing burgers.

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Ah, I’m perfectly fine being asked, trust me. But still, I’ll get back to you if I ever feel like giving it a go. Most of my favourite IFs haven’t updated in a bit anyways, so I’ll have no others holding me back. If and when I get around to it, I’ll be sure to send it your way while keeping your main ideas for the POVs in mind. Have a lovely one!

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Thanks, and have a lovely one too. Back to the (writing) mines I go.

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Aye, aye, keep at it and make sure it’s fun!

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Horrible news. (Going back on Haitus)

Well, Good new is I decided to not end it all and actually try to fix my life a little bit. But it also means I need time to figure some things out, unless yall want mega slop FA, where I only write in my highs like right now. (I am not in a stable state of mind, so take things here with a grain of salt.)

Speaking of which, I lowkey suck at writing branching paths besides some flavour text. When I get back, I will try to improve that.

Small update before I go, mods if this is an overshare, then I will edit the message ig.

+5k words of yap.

https://cogdemos.ink/play/fraud-writer/false-ancestry/mygame

fixed the error, where it skips to act 3.

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